Our September issue celebrates innovation in residential design, a typology that's historically provided architects with the opportunity to experiment.
The August issue highlights buildings and spaces that smartly connect to nature, rather than turn their back to it.
As controversy prevailed at the AIA Conference last month and RECORD probes the gamesmanship at the national organization, we also look to sports of a different kind.
Devoted to civic architecture, our June issue assesses the value of physical space in times of dissent and upheaval.
This month's issue explores how good design can navigate political and economic hurdles to affordable housing.
This month's issue looks towards the future of sustainable design, and making it an integral part of practice.
As the demand for tall buildings endures, new considerations of form and function will have to emerge.
With its focus on reuse and restoration, this month's issue explores myriad transformative interventions that eclipse demolition.
The January issue examines projects that attempt to bring a level of dignity back to transportation facilities.
The December issue explores spaces for the arts in the context of shifting conceptions of culture.
Architectural plans require training in order to read, understand, and produce. Mastering their codes can unlock the most powerful tool that architects have to imagine and construct new buildings. It is not only important to learn the intricate formal and geometric operations to produce these types of drawings, but also to interrogate the traces they leave on the buildings we design. In this video, architecture professor and designer, Stewart Hicks talks about the basics of architectural plans: where they came from, how they are made and used, and what they are good at representing. Using a three-dimensional model of a basic house, he goes through the steps of transforming it into a plan projection while discussing the implications of each step and offering precedents to reveal their nuanced implications.
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Architecture with Stewart is a YouTube journey exploring architecture’s deep and enduring stories in all their bewildering glory. Weekly videos and occasional live events breakdown a wide range of topics related to the built environment in order to increase their general understanding and advocate their importance in shaping the world we inhabit.
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Almost one year into the COVID-19 pandemic, life is starting to feel like it might regain its sense of normalcy. With promising vaccines being slowly rolled around the globe, the focus is shifting away from the immediate, and into what the future looks like- including where people want to live. At the beginning of the pandemic, stories all across the media claimed that cities were dead, people were leaving as a permanent measure of safety and well-being, and that the real estate market would experience a long and slow recovery to the boom it had experienced in the pre-pandemic world. But there’s been a shift, and it’s happening fast- people are returning to cities almost as suddenly as they once left them.
Although it’s true to say that some city residents are now favoring a long-term future in suburbs where they can trade a small high-rise apartment for the sprawling space of a single-family home and a front yard, it’s yet to be determined how long this change will last. There are still too many unknowns about what our daily routines will look like, how cities might change for the better, and how the predicted future of hybrid work will impact our daily lives. There’s still a belief that the social distancing measures will remain prevalent in our society, and in cities where it’s hard to carve out your own small space at an affordable price, many people were convinced that this was the opportune time to leave.
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Dorte Mandrup has imagined ‘The Hinge’, a landmark transition between the new urban area Aarhus Ø and the historic town of Denmark’s second-largest city. The new city gate will put in place an innovative and sustainable urban focal point. Expected to open in 2026, The Hinge was designed in collaboration with landscape architect Kristine Jensen and Søren Jensen Consulting Engineers.
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Wood Design & Building magazine has announced the winning projects from the Wood Design & Building Awards program. Launched in 1984, the awards program recognizes and celebrates excellence in wood architecture. Submissions included a mix of structures, from a library built against a rock wall in China, to a reconstructed heritage horse barn in Alberta and Canada’s longest clear-span bridge in Nova Scotia.
“The Wood Design & Building Awards program is an opportunity to discover and celebrate the world’s best wood architecture, in diverse locations and with a wide variety of typologies,” said Andrew Bowerbank, Vice-President of Market Development for the Canadian Wood Council. “Each year’s jurors are tasked with deciding which projects embody the most creative, innovative and well-executed examples of building with wood. As you can see this year, with more than 30 award winners, there is an amazing abundance of beautiful and functional design, using wood.”
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Linear parks exist in many different contexts - along riversides, coastal areas, or inserted in the urban fabric - and represent a very particular type of public space that evokes the idea of a vector and, consequently, the sense of movement. However, they can provide more than just activities and programs associated with mobility, proving to be an appealing solution to the lack of spaces for leisure, contemplation, and relaxation in the most varied urban situations.
Below, we have gathered 12 examples of linear parks built in different parts of the world, illustrated by photographs and floor plans.
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Industrial buildings are among the best examples of Louis Sullivan's famous phrase "form follows function." Generally, they are functional, efficient buildings, quick to build and unornamented. That is why, when we study the industrial heritage of different cities and countries, we are able to understand local materials, technologies, and traditional construction methods of the time. England's red brick factories come to mind, as well as the roof lanterns used to provide natural light to factories and other typical construction elements. Metallic and precast concrete structures are currently the most commonly used due to a combination of construction efficiency, cost, the possibility of expansive spans, and the unawareness of the benefits of other materials, such as wood. Often, these industrial warehouses are also characterized by being cold and impersonal, in addition to having a considerable carbon footprint. But Canada's experience in recent years is noteworthy, where there have been an increasing number of wooden buildings constructed for industrial programs.
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This article was originally published on Common Edge.
There is an astonishing degree of complexity, order, and beauty in the natural world. Even so, and especially within the realm of living things, nothing is more complex than it needs to be to sustain its existence. Every aspect of the system serves a purpose. If it does not, the unneeded component eventually ceases to exist in future generations. Even with these constraints of resource and energy efficiency, we find boundless beauty and harmony in the natural world. Contrast nature’s “just the right amount of complexity” to the way many architects design buildings today. While nature is only as complex as it needs to be, architects and designers add excessive and inessential complexity to their buildings and landscapes when none is warranted.
Contemporary architecture is riddled with artificial complexity, resulting in buildings that strain the environment, deplete resources, and compromise the most basic function of sheltering inhabitants from the elements. Buildings that contort, pop up and down, are split in the middle, and engage in all other manners of geometric gymnastics have very little—and, often, nothing—to do with the function, economy, or beauty of the building. Despite that, this type of complexity has long been seen as the designer’s prerogative, a creative and ego-driven self-expression that has been championed by most architecture schools and romantic notions of what it means to be an architect.
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